top of page

Through the Gates of Time: A Photographer's Journey into Bucks County's Living Story

  • Frances Schwabenland
  • 14 hours ago
  • 5 min read

A Legacy of Locks and Light

Bucks County has always been a place of thresholds — where rivers bend into canals, where working farms stand alongside historic mills, and where artists, dreamers, and wanderers pause to breathe. Since the 19th century, its rolling hills and proximity to Philadelphia and New York have drawn painters, writers, and craftspeople who sought inspiration along the Delaware Canal. Once alive with commerce, the locks eventually grew quiet, and in their stillness a new current flowed: a community of artists who would shape the region’s spirit for generations.

Every threshold in Bucks County carries both the weight of history and the promise of renewal.
Every threshold in Bucks County carries both the weight of history and the promise of renewal.

A Chance Discovery

On a recent summer morning, I set out with two great friends, camera in hand and no destination in mind. Our wandering led us to a weathered property near Phillips Mill. The wrought iron gates stood ajar, opening into a garden in disarray, as if time itself had paused mid-sentence. We hesitated — was the place occupied, or had it been abandoned to memory? Curiosity nudged us forward, my lens already searching for the way sunlight played on stone and vine.

Just then, a car pulled in. A man stepped out — Peter — and after a few words, my unease dissolved into shared fascination. When I told him how enchanted I was by the European character of the architecture, in a gesture as gracious as the estate itself, he said, “Would you like to see inside?”


Wandering with a camera often leads not to photographs, but to encounters with the soul of a place.
Wandering with a camera often leads not to photographs, but to encounters with the soul of a place.
Some gates open not into places, but into stories waiting to be told.
Some gates open not into places, but into stories waiting to be told.

The House of Morgan Colt

Crossing the threshold felt like walking into another century. The doors and windows, Peter explained, had been brought over from a European abbey. The house had once belonged to Morgan Colt — architect, painter, craftsman, and relative of the man who invented the Colt .45. A close friend of Henry Mercer, Colt had adorned the walls with Mercer’s iconic tiles, blending artistry with architecture.

The two front villas, once vibrant with life, had over the decades passed through many hands. As time moved forward, their spirit dimmed a little, and slowly they were allowed to fall into a gentle decay — once vibrant canvases, now softened by the brushstrokes of weather, memory, and silence.

On that very morning, settlement had taken place. Developers from New York with a European background had purchased the two structures and property with a listing price of $3 million. We had arrived at a doorway in time: the exact moment the estate itself transitioned from one chapter into another.


What we inherit is more than stone and wood - it is the dreams of those who came before us.
What we inherit is more than stone and wood - it is the dreams of those who came before us.
Decay does not erase beauty, it softens it into memory.
Decay does not erase beauty, it softens it into memory.
Even as weeds push through forgotten stones, the garden remembers laughter - every table an altar of possibility.
Even as weeds push through forgotten stones, the garden remembers laughter - every table an altar of possibility.
Time has set its own table here - leaves for linens, rust for silver, and the patient poetry of seasons dining in solitude.
Time has set its own table here - leaves for linens, rust for silver, and the patient poetry of seasons dining in solitude.

Even in silence, beauty endures - a door adorned with stories, a candle holder waiting for flame, and tiles whispering the artistry of hands long gone.
Even in silence, beauty endures - a door adorned with stories, a candle holder waiting for flame, and tiles whispering the artistry of hands long gone.

The Artist Cottages

Peter encouraged us to wander further back, where artist cottages still stood. These had been Colt's studios. Again, we felt the hush of trespass, but before long, a woman appeared. She introduced herself as Eleanor Miller — 93 years young, spry, radiant, and gracious.

Her welcome turned hesitation into magic. Eleanor led us through her home, a sanctuary that felt like a corner of the English countryside. Her father-in-law had purchased the cottages with a vision of preserving them as an artist’s enclave. Eleanor now rents them out for those looking for a retreat and get-a-way. She had hoped to acquire the two front villas and the news of their sale that morning saddened her, but it was clear—in her words, and in the light in her eyes—that her deepest passion was to see this place reborn as a beautiful haven for art, memory, and community

As we walked through her rooms, she shared not only the home’s stories but her own. Once an actress on Broadway, Eleanor delighted in showing us photographs from her stage career. Her presence seemed to weave the past and present together — her husband's family of artists, the dreams of Morgan Colt, the artistry of Henry Mercer, and her own life in theater, all living within those walls.


Tucked within the hush of leaves, the cottage breathes like a poem - a refuge where art and nature keep each other company.
Tucked within the hush of leaves, the cottage breathes like a poem - a refuge where art and nature keep each other company.
Wrapped in blooms, the cottage seems to blossom too - a living canvas where walls and petals share the same gentle light.
Wrapped in blooms, the cottage seems to blossom too - a living canvas where walls and petals share the same gentle light.
In the quiet glow of the window, brushes rest, memories linger, and the spirit of an artist still whispers through the light.
In the quiet glow of the window, brushes rest, memories linger, and the spirit of an artist still whispers through the light.
In her hands, photographs are not just memories — they are living bridges between love, legacy, and the timeless beauty of a life well-lived.
In her hands, photographs are not just memories — they are living bridges between love, legacy, and the timeless beauty of a life well-lived.

A County of Transitions

Leaving that day, I carried more than photographs. I carried the sense that Bucks County itself is always in transition — from canal locks to artist studios, from thriving estates to quiet decay, from visionaries of the past to caretaking dreamers of today.

But transitions here are never endings. They are thresholds. Each layer of history, each artist’s dream, each act of preservation becomes part of a living story that still beckons those who wander.


And perhaps this is Bucks County’s truest gift: to remind us that beauty never truly fades, it only changes its form. Time may soften the edges of stone and let vines climb where doors once opened, but even in decline, beauty lingers. Even in loss, creativity stirs. For here, every ending becomes the soil for a new beginning, every gate the threshold to another story waiting to unfold. This land whispers resilience, invites renewal, and teaches us that wonder is always within reach — if we listen to the whisper to wander.

Even in quiet decay, every gate beckons not to keep you out but to invite you into another story.
Even in quiet decay, every gate beckons not to keep you out but to invite you into another story.




Special thanks to C.J. and Steph Colletti for journeying with me.

For all those reading this...Thank you for the gift of your time. If you would like to receive notices of future work, I would appreciate your signing up on the "About Me" page and as a thank you, I will send you the "30 Day Namaste Practice".

Gallery: 


Etsy:


 
 
 
  • Black Facebook Icon
  • Black Twitter Icon
  • Black Instagram Icon

Living Namaste #1 Best Seller On Amazon Short Story Travel

Living Namaste.com  © 2020 Frances Schwabenland

bottom of page